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  • Maureen Cappon-Javey 12:39 am on January 8, 2011 Permalink | Reply  

    “This is the most amazing opportunity for art appreciators since Claude Monet and Pierre-Auguste Renoir propped their easels along the Seine…” 

    so says Robyn Blummer of the St. Petersburg Times who writes about the 450 + reasons NARM is the ultimate cultural passport. NARM: North American Reciprocal Membership Program.  Read about it here and GET IT as an ICA “Friend” member and above.

  • Maureen Cappon-Javey 11:12 pm on December 16, 2010 Permalink | Reply  

    “Easily one of the best art exhibitions I’ve seen in years” 

    Exhibition review by Ben Marks, KQED Arts writer, December 2010

    Tony May: Old Technology, which runs through February 26, 2011, at the San Jose Institute of Contemporary Art, is easily one of the best art exhibitions I’ve seen in years. This handsome, elegant and witty retrospective makes those of us who have not paid enough attention to May’s work for the past 30 or 40 years feel like fools. For the record, I fall squarely into that camp. To paraphrase the title of the fine catalog essay by Renny Pritikin, who borrowed the line from artist Italo Scanga, why isn’t this guy more famous?  Read the full review here.

  • Maureen Cappon-Javey 6:29 pm on November 24, 2010 Permalink | Reply  

    Tony May: Old Technology Art Catalogue: The Back Story 

    Tony May: Old Technology

    Tony May: Old Technology - Limited Edition Art Catalogue

    On the occasion of the expansive retrospective exhibition, Tony May: Old Technology , ICA curator Susan O’Malley undertook an exciting project to commemorate the exhibition.  During the past several months Susan has worked with May and designer Joshua Swanbeck to create a very special exhibition catalogue. Part art object and part book,  the Old Technology limited edition art catalogue will be available in early December and includes an introduction by ICA Executive Director and Chief Curator Cathy Kimball, a critical essay by Curator Renny Pritikin, over 40 full color plates and a one-of-a-kind object from Tony May’s personal collection.

    We asked Susan to tell us more about this project.

    Q:   The catalogue looks and feels like a piece of Tony’s work.  Was this the intent all along?

    I’m so glad you think so! Yes, we definitely wanted this catalogue to feel like Tony’s artwork. Tony has the uncanny ability to elevate the most ordinary and modest materials into meaningful objects worth noticing. We wanted this to ring true for his catalogue as well.

    Q:   Why did this catalogue ultimately take on the form of a box?

    Given that Tony is obsessed with books it’s actually amusing that his catalogue is in the form of a box. But I also find it completely appropriate since he has used books to make shelves, lamps, floors and even a roof. He has never really used books to function as a book!

    We definitely considered the rich history of artists who have used the box as a book form and felt that Tony’s conceptually-driven work related to this tradition. And when Tony brought us the most beautiful brown cardboard box filled manila envelopes, photographs and slides of his work, a light bulb went off. I showed it to our designer, Joshua Swanbeck, and he just ran with it. Joshua designed the catalogue to feel like rummaging through a box of personal belongings, with the surprise of opening each envelope and the various textures of papers.

    About the process:

    This is as much a unique art object as it is a catalogue reflecting 40 years of Tony May’s artwork. Each box has been designed with attention to craft and form to reflect Tony’s unique voice, not to mention hours of printing, collating, threading, stamping and cutting! I hope that the care and attention we poured into this project is felt when it is held in someone’s hands and experienced in person.

    It’s been a pleasure and honor to work on this and I can’t wait to launch on December 9!

    (100) Limited Edition Art Catalogue
    Price: ($150+tax)
    Available: December 9, 2010
    Pre-order now!
    Questions? Contact Susan O’Malley, 408.283.8155 or email:

  • Maureen Cappon-Javey 12:31 am on November 10, 2010 Permalink | Reply  

    Why Aren’t You Famous Yet? 

    An essay written by Renny Pritikin for the exhibition catalogue produced for Tony May: Old Technology, a 40-year retrospective of work by San Jose artist Tony May, on view at the San Jose ICA, November 2010 thru February 2011.

    Renny Pritikin is the Director of the Richard L. Nelson Gallery and the Fine Arts Collection at the University of California, Davis. Prior to this, Pritikin was Curator at Yerba Buena Center for the Arts, San Francisco and the Director of New Langton Arts, San Francisco.

    Read it here…

  • Maureen Cappon-Javey 11:28 pm on October 21, 2010 Permalink | Reply  

    Coming Nov 2010: Tony May: Old Technology 

    Tony May, T. Tree House, 1999-2009, Installation view, Hawaii, Mixed media, Courtesy of the Artist

    The first large-scale retrospective exhibition of works by San Jose artist Tony May opens in November 2010 at the San Jose Institute of Contemporary Art (ICA). This  comprehensive exhibition that includes painting, sculpture and site-specific interactive installations runs through February 2011.

    By presenting carefully curated pieces from public and private collections, May’s own archive, new works and recreations of past temporal or site-specific projects that have been lost over time, the exhibition brings long-overdue recognition to May as a Bay Area art treasure in his own right.  An exhibition opening reception will be held at the ICA on Friday, November 12th from 6pm – 8pm.

    Read more…

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